Trip Report
Anilao Guest Photo Essay
Anilao Workshop - written by Adam Gibson
I wake up early, experiencing the unique sensation of not snoozing my alarm and wishing for more sleep. That desire is overrun by the hope of catching that first glimpse of blazing sun reflecting off the clear blue water of Anilao, Philippines. Down the stairs I go, first stop, coffee. After a fresh cup filled, I venture to the balcony to admire the panoramic view. I see everything, in yet nothing. The simplicity of wooden boats anchored along the resorts rubble shoreline, and some distant islands offering a beautiful green contrast to the blue water and sky. Theres nothing more I could dream of seeing in that moment. To locals, Im looking at nothing, but to us visitors, were looking at what we save all our holiday time for. I close my eyes and listen to the calming splash of the waves calling me under and enjoy the soft hum of a compressor down below, promising a day full of exciting diving ahead.
Its no surprise as to why the Anilao, Philippines trips are one of Bluewater Photo & Travel's oldest photo workshops. Offering a plethora of unique macro critters, Anilao provides the perfect subjects for underwater photography and the opportunities to practice various techniques. Missed your shot? Ask your dive guide to show you the same critter the next day and 99% of the time theyve got it without even spending much time looking. The combination of seemingly uncaring subjects, amazing dive guides, and 60-90 minute dive times, ensures every guest is ending their trip with thousands of photos on their memory cards Better saddle up for some long days of editing photos ahead!
Yawning Frogfish. Photo:Sarah Vasend
Photo: Amy Zamarut
Its a unique experience to be on a trip in which everyone there has a similar mindset, to try and get beautiful photos. If you enjoy taking underwater photos like myself, you oftentimes run into the issue of going on a dive trip and feeling raced around the divesite. The requirement that everyone must keep up with the dive guide and the rest of the group, and not deviate. Or the limitations of dive times, requiring that everyone come up when the first person in the dive group goes low on air of course just when youve stumbled upon a scenic reefscape or exciting critter that you want to photograph.
ISO 100, f6.3, one over 500, +7 diopter. By Lee Duckwall
Canon G16 - single strobe - f 5.0 - 1-500sec ISO 100. By Livia Berthault
Nikon D7000, 105mm, f18, one over 250. By Pete Pinkerton
This is no ones particular fault, as oftentimes in the diving community divemasters are trained to show guests around a divesite, keep people safe, not get them lost, and point out some things they may stumble upon or know about. In Anilao, its a whole different mindset. From the beginning everyone is explicitly briefed that the dive guides are primarily there to be showing you critters, so if you have marine life you want to see, or something you want to spend time taking photos of, just let the dive guide know and theyll take care of you. Its not uncommon to find each person in your dive group spread out along the ocean floor, spending 5 30 minutes on a single subject just composing, waiting for specific behaviors, shooting, and making adjustments. But have no fear! Whenever youre done, simply looking up to your dive guide so he knows youre finished, and 9 out of 10 times hes been waiting to point something else out for you. This rush-free process is a huge influence on some of the amazing images guests have been able to walk away with.
Photo: Steve Harms
Canon G16, 1 strobe, f5.0, ISO 100, one over 1000. By Colleen Bush
Photo: Ken Newkirk
Anyone who enjoys underwater photography, I strongly urge you to join an Anilao photography workshop. For both novice, and experienced photographers a like, I am certain you will end the trip with a plethora of new knowledge, tips, and tricks. A combination of lecture discussions, daily image reviews, and a friendly competition with prizes at the end, ensures everyone stays on track with the goal of becoming a better photographer than when you arrived. Not to mention, the trips are always a lot of fun with fellow divers/photographers and amazing trip leaders! :)
Photo: Sarah Vasend
Photo:Steve Harms
Nikon D7000, 105mm, f18, one over 200. By Pete Pinkerton
ISO 100, f8.0, one over 60 - focus light behind green tunicate for backlit. ByLee Duckwall
Canon G16 - single strobe - f 2.8 - 1-60sec ISO 100. By Livia Berthault
Photo:Amy Zamarut
Join Some Of Our Upcoming Anilao Photography Workshops!
2024
Anilao Philippines Ultimate Photo Workshop | Dec 1 - 8, 2024
2025
Anilao Philippines Ultimate Photo Workshop | Apr 20 - May 7, 2025
Anilao Philippines Ultimate Photo Workshop | Dec 7 - 14, 2025
2026
Anilao Philippines Ultimate Photo Workshop | Apr 16 - May 3, 2026
Anilao Philippines Ultimate Photo Workshop | Dec 6 - 13, 2026
